by Jason
Lin, film blogger, SON:sation
Tian
Zhuangzhuang is a Fifth Generation Chinese Filmmaker, just like the
better-known Chen Kaige and Zhang Yimou. His works have deviated from previous
filmmaking norms, opting for a liberal approach to bold political discussion instead
of blind political propaganda.
In Tian’s The
Blue Kite, its intended critique of the significant Maoist Movements over
the decade has been restrained with objectivity through the witness account of
an adolescent boy who grew up during that time. It transcends traditional genre
practice as a documentary within a narrative drama.
Tian doesn’t
attempt to lead the audience into taking a subjective angle, but simply conveys
the curiosity of the film’s innocent protagonist. This allows most of us who
are unfamiliar with the difficult period to relate to Tietou. We learn through
his observation before personally deciding what to make of the happenings
depicted in The Blue Kite. Akin to the political struggles featured in
the film, The Blue Kite is an important cinematic struggle against
restrictive state interventions.
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